Melissa Ragona is an Associate Professor of Critical Theory and Art History in the School of Art at Carnegie Mellon University. Her book, Readymade Sound: Andy Warhol’s Recording Aesthetics, is forthcoming from University of California Press and her essays and reviews have appeared in October, Frieze, Art Papers and in the edited collections Women’s Experimental Cinema (2007), Lowering the Boom: Critical Studies in Film Sound (2008), Andy Warhol Live (2008), Oxford Handbook of Sound and Image (2013), Paul Sharits (Retrospective Catalog, Fridericianum, Kassel) (2015) and Sculpture and Film (Subject/Object: New Studies in Sculpture) (London: Ashgate Press, 2017). She has also published in monographs on the work of artists, Heike Mutter, Ulrich Genth, Christian Jankowski, Carolee Schneemann, Paul Sharits, and Antoine Catala.